2/7/22:
Never mind the tongue

Yet another album recorded in a language that is not exactly Spanish, Manel Fortia leads Libérica through spirited interpretations (and interpolations) of Catalan and flamenco standards.



Libérica
Arrels
(Microscopi)


These songs are likely not familiar to norteamericano ears (they certainly aren't to mine), and I'm not entirely sure where the originals end and the improvisations begin. That doesn't really matter, as Libérica has created its own vocabulary and structure. The result is a collection of pieces that sound "Spanish," with energetic vocals that mesh with the bright, inventive sounds of the band.

The production leaves the sound a bit muddled, which leaves a warmer, more inviting feel. A lot of the pieces here sound more like jams than formal works. That informality helps to ease any unfamiliarity with the material (or language).

Jazz is an international language, and this album is full proof. Filtering traditional sounds and songs through jazz is as old as jazz itself, and Libérica presents a fine portrait of Catalonian past and future. A fun and inspiring set.

Jon Worley


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