It seems there are talking points about Acid Tongue. Each review I've read (when I'm unfamiliar with an artist that has created something arresting, I use the Google; modern times are the best!) has a line that is something like "has unlocked the connection between psychedelia and power pop." I know I'm old and all, but does anyone remember T. Rex or, um, David Bowie?

Acid Tongue Arboretum (Freakout)

What Acid Tongue (which is primarily Guy Keltner and Ian Cunningham, with a revolving set of friends who contribute here and there) manages to do is channel 70s raucous fuzziness and drop in modern touches here and there. There's just the right amount of grunge guitar (the "band" is Seattle-based) and a healthy appreciation for what its collaborators bring to the table.

This is not the most cohesive album. The sound and musical styles jump around, but in a "I can't wait to hear what's next" kinda way. At times it is clear that these songs were recorded in pieces and then assembled later. But even when the seams are showing, the songs are winsome.

Keltner wrote most of these songs while getting sober and dealing with a bipolar diagnosis. The lyrics are incredibly personal--almost frighteningly so. He clearly poured himself into this album, lending a gravity that pulls together all of the disparate elements. Acid Tongue gives its influences a nod and a wink, and then sets off for the stars. Everything is just as it should be.

Jon Worley