10/12/20: Pummel and please Candace Lazarou decided to fly solo after the demise of Mansion, her former band. She kept the 90s alternarock feel and ratcheted the tension up to a million. This album is a full-throated scream, a murderous rumination on identity and society.
So, yes, this is a bumpy ride. Lazarou seems most interested in the atonal sonic palette of mid-90s Touch and Go artists like Kepone, though she deconstructs the rhythmic fury and fuses the noise to a pre-Soft Bulletin Flaming Lips approach to psychedelia. And then she bites off another chunk of something else. No matter the tempo, Lazarou keeps pushing the uncomfortability meter. She wants to talk (and, um, kinda sing) about things most of the rest of us would rather leave bottled up. This album is a big bowl of pain and anxiety, but if it doesn't give you a heart attack you might just fall in love. Once Body Double kicks in, there's no way to jump off. You will be dragged to your doom. |
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